This new Ugandan film, titled ‘SHADOW,’ is making waves—and for good reason. It’s not just another local production; it’s a bold statement about Africa’s storytelling potential, especially with the involvement of renowned Nigerian-British actor Hakeem Kae-Kazim. And here’s where it gets even more exciting: the project is set to be filmed right in Uganda, marking a significant milestone for African cinema.
When I first heard that Hakeem Kae-Kazim would be leading a Pan-African film shot on Ugandan soil, I couldn’t help but feel a surge of pride. It’s a clear sign that Uganda is stepping into its rightful role on the continent’s film stage—something we’ve been talking about for years. Now, that vision is becoming reality. Come December, Kampala will host the production of ‘SHADOW,’ a project already creating buzz across Africa for its ambitious scope and cultural significance.
This film is a collaborative effort that showcases the talents of African filmmakers working together to tell stories from within the continent itself. Producer Dennis Abwakat, a Ugandan based in the UK and one of the creative minds behind the acclaimed film ‘Nambi,’ is at the helm. The project is directed by Niyi Towolawi, a British-Nigerian director known for his compelling storytelling. Starring Kae-Kazim, whose impressive portfolio includes ‘Hotel Rwanda,’ ‘Pirates of the Caribbean,’ and ‘Black Sails,’ the film aims to celebrate African narratives told with honesty, pride, and authenticity.
Abwakat emphasizes that this is more than just a film—it’s a movement towards a unified African voice: “This is a collaborative project that unites African filmmakers to tell our stories from our own perspective. It’s about redefining our narrative and elevating our continent through cinema.” Kae-Kazim echoes this sentiment, adding, “We’re not just making art; we’re reshaping how the world perceives us.”
Director Towolawi highlights Uganda’s visual appeal, describing it as a cinematic treasure trove: “Uganda offers stunning scenery and a rich visual landscape. Whether we’re setting scenes in the present or exploring historical themes, the country provides an ideal backdrop for destination filmmaking.”
But ‘SHADOW’ isn’t just about storytelling—it also serves as a rallying cry for investment in Africa’s creative industries. Kae-Kazim points out that film can be a powerful tool for employment, especially for young people seeking opportunities. Towolawi adds that meaningful support from governments—such as tax incentives or fostering international collaborations—can significantly boost the industry.
Having been involved in Uganda’s creative scene for years, I see ‘SHADOW’ as a pivotal moment. It’s a chance for local talent, investors, and audiences alike to be part of something larger—an opportunity to showcase Ugandan and African excellence on a global stage. So, is this the beginning of a new era for African cinema? Or just a fleeting moment of glory? That’s a debate worth having—and I’d love to hear your thoughts.